Season 5.1 · 21 Nov 2018#5.2 The philosopher's Odyssey: Revolutionary thought- 46:09Robinson CrusoeThe first hundred pages show Robinson recovering English maritime technology; then the master-slave relation with Friday.
Appears in 8 videos · 8 passages, 6 of them in depth.
Dominique Pagani speaks of Defoe only in connection with Robinson Crusoe, which he reads as a lucid novel and calls a masterpiece12. What he draws from it first is the first hundred pages, in which Robinson recovers from the shipwreck the technology of his time, especially English maritime technology34. He concludes that Robinson is not man in nature: he has the inheritance of the productive forces at his disposal, and what he lives on belongs to culture, not nature5. He then stresses the encounter with Friday, which sets up a master-slave relationship from the very start6. He comes back to this point in a session on Hegel, in one on revolutionary thought, and in a session on negritude devoted to Adotevi. He also places the novel in the England of the industrial revolution, at the moment when the man of nature returns as nostalgia7. Later he cites it as an example of the place of nature in English literature.
Summary produced automatically from 8 of the passages below, to be reviewed; the numbers link to the moment in the session.
Daniel Defoe ( c. 1660 – 24 April 1731) was an English writer, journalist, merchant and spy. He is famous for his novels Robinson Crusoe (1719), Moll Flanders (1722) and Roxana: The Fortunate Mistress (1724). He has been seen as one of the earliest proponents of the English novel, and helped to popularise the form in Britain with others such as Aphra Behn and Samuel Richardson. […]
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