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Music

Breaking out of the sound ghetto

A history of music by Dominique Pagani: the Musicosophie cycle (conversations with Aymeric Monville), the “Pagani Parle Musique” podcast, and his playlists for breaking out of the sound ghetto (in French).

Podcast

Pagani Parle Musique

From Bach to the Pygmies, from Mozart to Bartók, from jazz to Wagner. On YouTube and every platform.

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SCHUBERT - THE DIVINE CAPTIVES • Pagani Parle Musique

3 Aug 2022

How does music enter into time only to leave it, bringing back the past to the point of touching a kind of eternity?

NIETZSCHE - NO PITY FOR WAGNER • Pagani Parle Musique

27 Jul 2022

Why does Nietzsche, after condemning Parsifal as a Christian betrayal of the Greek ideal, recognize in its music the truth he had refused?

WAGNER - THE TRUTH OF PURE MUSIC • Pagani Parle Musique

20 Jul 2022

What does music say when it says nothing, and how does instrumental music express what words dare not say?

BARTÓK - THE UNHEARD-OF SOUND • Pagani Parle Musique

13 Jul 2022

By what paths does contemporary classical music become avant-garde, and how does Bartók renew it through popular music?

TIPSY BEETHOVEN! • Pagani Parle Musique

6 Jul 2022

How does the scherzo of Beethoven's "Archduke" Trio unite popular and learned music?

JOHN LEWIS - CLASSICAL OR JAZZ? • Pagani Parle Musique

29 Jun 2022

Does John Lewis's music belong to classical or to jazz, and is jazz not the true classical music of the twentieth century?

FROM BACH TO THE PYGMIES • Pagani Parle Musique

22 Jun 2022

Do the common divisions between tonal and modal music, learned and popular, classical and jazz hold up to scrutiny?

TCHAIKOVSKY - FROM THE STEPPES TO THE MIDWEST • Pagani Parle Musique

15 Jun 2022

What is a concerto, and what does the slow movement of Tchaikovsky's Concerto No. 1 reveal about Russian music?

FREE GOLD FOR EVERYONE - MULLIGAN • Pagani Parle Musique

8 Jun 2022

How should one listen to a baritone saxophone solo against a big band, using the landmarks of jazz history and the range of the instruments?

POLYMORPHOUSLY PERVERSE MOZART • Pagani Parle Musique

1 Jun 2022

How does Mozart's music unite libertinism and generosity, comedy and true emotion, gaiety and melancholy?

Pagani Parle Musique • Introduction to the podcast

23 May 2022

What can we expect from speaking about music, and why deprive young people of music they are being denied?

Production, direction, editing
Aliocha
Sound
Rémi Chanaud
Mixing
Nicolas Aleksandrov
Produced for the association by
Pierre-Alain Giraud
“Pagani Parle Musique” © 2022
Series · 18 conversations

Musicosophie

a history of music

A history of music by Dominique Pagani: conversations with Aymeric Monville, which are to form the basis of a book published by Delga.

18 conversations · 29 hours

  1. 1Schubert and the master singersWhy begin a history of music with its middle, with Schubert and the second act of Wagner's Die Meistersinger?1 h 04
  2. 2From Lévi-Strauss to Nerval on musicIs the divorce between scholarly music and popular music that Lévi-Strauss notes in contemporary music a new symptom, and how can one think the union of speech and music up to the music of the future?1 h 46
  3. 3What is called modern music?What do we call modern music?1 h 37
  4. 4Sound ghettosHow does the "people" music born in the 1950s enclose young people worldwide in sound ghettos, and how can one escape it?1 h 34
  5. 5Happiness versus the death drive in musicHow does modern music, since Beethoven, oscillate between the popular demand for happiness and the romantic fascination with the death drive?1 h 25
  6. 6The Jazz Variation... by BeethovenWhat distinguishes genre from form in music, and why is the so-called "jazz variation" of Beethoven's opus 111 not jazz?2 h 02
  7. 7The Greeks, myth and musicWhy do Greek art, myth, and music, tied to a past that is gone, still give us aesthetic pleasure?1 h 02
  8. 8Happiness and unhappiness in musicWhy does the history of music make happy and morbid musics alternate, and what is the happiness that they express?2 h 09
  9. 9Romantic irony and the Vinteuil sonataHow can a literary text convey what is heard in music, and what do Walt's dream in Jean-Paul and Vinteuil's little phrase in Proust reveal?1 h 41
  10. 10The two Klemperers and Bruno Walter in WagnerWhy was the best German music, that of Wagner in particular, best conducted and expressed by Jews whom Germany drove out?1 h 30
  11. 11Modal and tonal musicWhy did tonal music, a recent exception on a musically modal planet, appear and develop so quickly in what is called the West?1 h 54
  12. 12Nietzsche (right up) against WagnerWhat does the conflict between Nietzsche and Wagner reveal, once we reread Nietzsche's texts while listening to the music?2 h 12
  13. 13Mozart restoredWhat does Mozart's music say about happiness, and how does this happiness express the historical turning point of the late eighteenth century?1 h 34
  14. 14Mozart once moreWhy does Mozart's music, situated in the shift from the Ancien Régime to the new world, express that happiness which is, according to Saint-Just, a new idea in Europe?1 h 55
  15. 15Plato, Rousseau, Hegel and musicWhat founds, since Plato, the complicity between music and philosophy?1 h 40
  16. 16Programme music / Pure musicDoes the distinction between pure music and program music hold, and what does it reveal about modernity?1 h 17
  17. 17InterpretationWhat does it mean to interpret a musical work, between improvisation, execution and the restitution of the composer's thought?1 h 34
  18. 18What is musical in musicWhat is musical in music?1 h 22
Film

La fausse note

Direction, editing
Aliocha
Camera
Paolo Caponetto
Sound
Baptiste Marie
Colour grading
Pierre-Alain Giraud
Music
Miles Davis, « Autumn Leaves » ; « Somethin' Else », Cannonball Adderley — Blue Note Records © 1958
Thanks
Catherine & Jean Hermet

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