Season 9.2 · 27 May 20219 #22 Science and/or philosophy of "artificial intelligence" - Part 2- 1:10:50He would hit the keys with risk-taking and inner tension: his slip-ups are the shadow of a moral world.
Appears in 7 videos · 7 passages, 2 of them in depth.
Dominique Pagani mentions Bud Powell mainly in the "Musicosophie" series, as a reference figure of jazz piano. He names him, together with Oscar Peterson, among the improvising pianists1 and notes that pianists long imitated his style2. René Urtreger, for example, was called the "French Bud Powell"3. He also points out the title of one of his tunes, which plays on both fugue and tempus fugit4. He recalls Powell's training as a classical pianist and his tragic fate. He also reports that Powell heard in the word "bebop" the sound of the police baton on the Black man's head5. In a session on artificial intelligence, he uses him as an example of playing based on risk-taking and inner tension: for him, Powell's misses are the shadow of a moral world, something a machine does not know6. He notes in passing that Powell's wife was named Buttercup, in connection with the flower names given to women7.
Summary produced automatically from 7 of the passages below, to be reviewed; the numbers link to the moment in the session.
Earl Rudolph "Bud" Powell (September 27, 1924 – July 31, 1966) was an American jazz pianist and composer. A pioneer in the development of bebop and its associated contributions to jazz theory, Powell's application of complex phrasing to the piano influenced both his contemporaries and later pianists including Walter Davis Jr., Toshiko Akiyoshi, and Barry Harris. […]
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