Season 13 · 20 Sept 2024Sickness, misfortune, evil- 5:43His acrobatic solos were vocally transcribed by the Double Six.
Appears in 8 videos · 10 passages.
Dominique Pagani speaks of Dizzy Gillespie as a trumpeter and bop soloist12 and as a companion of Bud Powell3. He names him among the jazzmen who enrich the chords of the blues4. In 2012, discussing Michel Clouscard, he uses him to contrast two eras: Gillespie played the music of his own time, whereas a young musician today replays his forty-year-old solos5. He returns to this idea with the bebop tunes still heard in the metro6. He also describes his playing: a trumpeter who sings, uses circular breathing and puffs out his cheeks like a snake charmer7. What he takes from Gillespie is his virtuosity, which forced Miles Davis to look for another path8. He points out that Gillespie's big band, which he calls the loudest in jazz history, had John Lewis as its arranger9. Finally, he notes that the Double Six transcribed his acrobatic solos for voice10.
Summary produced automatically from 10 of the passages below, to be reviewed; the numbers link to the moment in the session.
John Birks "Dizzy" Gillespie ( ghih-LES-pee; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator, and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of early bebop styles. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality have made him an enduring icon. […]
Read the article on WikipediaText: Wikipédia, CC BY-SA 4.0, excerpt · Portrait: Carl Van Vechten, Public domain
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