Season 12 · 18 Feb 2024Secularism, the truth of religion?- 50:14The most romantic of composers preferred Bach and Mozart: a modern who prefers the Ancien Régime.
Appears in 26 videos · 32 passages, 7 of them in depth.
Dominique Pagani sees Chopin as the Romantic composer par excellence, who nevertheless held Bach and Mozart as his favourite musicians: a modern who prefers the Ancien Régime1. He stresses his harmonic modernity, with pre-Tristan innovations, and the unison finale of the B-flat minor Sonata, which no one had dared before him2. In Chopin there is never a gratuitous note, even in pianism3. He highlights his qualities as a performer, which Liszt judged superior to his own in legato, nuance and tempi4. He connects him with the salon piano, a place of intimacy, and with the society life of the Nouvelle Athènes. His often melancholy music expresses, in his view, his era rather than his life5. He also mentions the Nocturne as a passage into the world of night and dream, the Berceuse as the summit of the genre, the waltzes and the polonaises. Finally, he comes back to the way his repertoire is received, from Russian pianists to the Warsaw competition.
Summary produced automatically from 32 of the passages below, to be reviewed; the numbers link to the moment in the session.
Frédéric François Chopin (born Fryderyk Franciszek Chopin; 1 March 1810 – 17 October 1849) was a Polish composer and virtuoso pianist of the early Romantic period who wrote primarily for solo piano. He has maintained worldwide renown as a leading composer of his era whose "poetic genius was based on a professional technique that was without equal in his generation". […]
Read the article on WikipediaText: Wikipédia, CC BY-SA 4.0, excerpt
Season 12 · 18 Feb 2024Secularism, the truth of religion?
Series · 25 Mar 2021Musicosophy 17. Interpretation
Series · 11 Jan 2021Musicosophy 8. Happiness and unhappiness in music
Series · 3 Dec 2020Musicosophy 3. What is called modern music?
Season 7 · 26 Apr 2020#6 • Harnessed to confinitude
Season 6 · 29 Mar 2020#6.6 • The Logic of the Subject in the face of the reconstitution of Nazism
Talks · 18 Jun 2016At the bistro with Pagani: part 1
Series · 29 Sept 2023Kleist "On the Marionette Theatre" - Pagani - Readings on the Spot
Season 11 · 26 Apr 2023Worldliness in Clouscard, or "The dominant ideology"
Series · 7 Feb 2023Nietzsche, or the Great Ninny - Readings on the Spot
Series · 22 Jun 2022FROM BACH TO THE PYGMIES • Pagani Parle Musique
Series · 25 Mar 2021Musicosophy 18. What is musical in music
Series · 10 Mar 2021Musicosophy 16. Programme music / Pure music
Series · 28 Jan 2021Musicosophy 12. Nietzsche (right up) against Wagner
Season 9.2 · 14 Jan 20219 #12 How can sciences of history be real?
Series · 15 Dec 2020Musicosophy 6. The Jazz Variation... by Beethoven
Series · 11 Dec 2020Musicosophy 5. Happiness versus the death drive in music
Season 9.1 · 10 Dec 2020#8 Benefits and harms of amnesia...
Series · 3 Dec 2020Musicosophy 2. From Lévi-Strauss to Nerval on music
Series · 3 Dec 2020Musicosophy 4. Sound ghettos
Season 9.1 · 26 Nov 2020#6 Presentation of the dominiquepagani.fr website
Season 8 · 30 Jul 2020#16 • Return to the logics of the subject
Season 7 · 11 Apr 2020#4 • Harnessed to confinitude
Season 3 · 1 Aug 2017#3.2 From Ulysses to Daedalus
Talks · 26 Apr 2015The Music of History
Series · 29 Jan 2012Everything is allowed but nothing is possible - Michel Clouscard - 2