Talks · 23 Jun 2015L'île du Peuple: the debate- 2:33Girl with a Pearl EarringRemoving the small glaze on the lower lip would make the painting lose all its charm: an example of a totality from which no part can be removed.
Appears in 5 videos · 5 passages, 1 of them in depth.
Dominique Pagani almost always refers to Vermeer through Girl with a Pearl Earring, and more precisely through the small highlight on the girl's lower lip. In 2015, he takes it as an example of a whole from which no part can be removed: taking away this glaze would make the painting lose all its charm1. Elsewhere, he links Vermeer to Dutch painting and its depiction of everyday objects2, in which he sees a sublimated everydayness3. In 2020, the same highlight serves him as an example of the prosaic becoming almost unreal4. He also compares the gleam of this lip to that of the gaze in Proust5. From one session to another, this detail thus returns to illustrate both the unity of the work and the transfiguration of the ordinary by painting.
Summary produced automatically from 5 of the passages below, to be reviewed; the numbers link to the moment in the session.
Johannes Vermeer ( vər-MEER, vər-MAIR, Dutch:; see below; also known as Jan Vermeer; October 1632 – 15 December 1675) was a Dutch painter who specialized in domestic interior scenes of middle-class life. He is considered one of the greatest painters of the Dutch Golden Age. During his lifetime, he was a moderately successful provincial genre painter, recognized in Delft and The Hague. He produced relatively few paintings, primarily earning his living as an art dealer. He was not wealthy; at his death, his wife was left in debt. […]
Read the article on WikipediaText: Wikipédia, CC BY-SA 4.0, excerpt · Portrait: Johannes Vermeer, Public domain
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