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Raphaël

Raffaello Sanzio · Italian painter and architect (1483–1520) · 1483–1520

Appears in 10 videos · 10 passages, 3 of them in depth.

What Dominique Pagani says

Dominique Pagani refers to Raphael mainly through The School of Athens, which he uses as the image of the opposition between Plato and Aristotle. He comes back to it from 2015 to 2026: Plato raises his index finger toward the sky, while Aristotle holds his hand out toward the earth1. He reads this gesture as the opposition between rationalism and empiricism1. He takes it up again in connection with Lenin and "What Is to Be Done?"2, with Hegel3, and with whether the sciences of history are real4. Later he uses it on language and thought in Lavoisier and on the foundations of the distinction between the two philosophers, for which the painting provides the "imagery"5. Elsewhere, he takes Raphael as an example of abstract painting in Hegel's sense6. He also comes across him in an anecdote by Gustave Moreau7 and in the nickname "Raphael of sounds" given to Mozart8. Finally, he quotes Pisarev's saying that he prefers a Russian shoemaker to a Russian Raphael9.

  1. 1#1.5 Entre crise et guerre : Philosopher ?10 Dec 2015 · 9:28
  2. 2Que faire ? 2/329 Jan 2016 · 53:49
  3. 3Hegel Plage 3/52 Feb 2016 · 22:55
  4. 49 #11 Comment des sciences de l'histoire peuvent-elles être réelles?7 Jan 2021 · 46:36
  5. 5Les fondements de la distinction platonicienne et aristotélicienne5 May 2026 · 9:09
  6. 6M comme Musique27 Dec 2014 · 8:10
  7. 7#4.8 Angélique (de Nerval)16 May 2018 · 1:13:11
  8. 8Musicosophie 13. Mozart restitué2 Feb 2021 · 2:28
  9. 9#2 Lénine ou les ailes du rêve18 Apr 2021 · 17:05

Summary produced automatically from 10 of the passages below, to be reviewed; the numbers link to the moment in the session.

Portrait: RaphaëlWho is this?

Raffaello Sanzio da Urbino (Italian:; March 28 or 6 April 1483 – 6 April 1520), now generally known in English as Raphael (UK: RAF-ay-əl, US: RAF-ee-əl, RAY-fee-, RAH-fy-EL), was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. […]

Read the article on Wikipedia

Text: Wikipédia, CC BY-SA 4.0, excerpt · Portrait: Raphael, Public domain

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