Dominique Pagani returns mainly to Hesiod's Theogony, which he presents as the account of the genesis of the divinities out of chaos1. He takes up the Ouranos episode several times: the sky does violence to the earth, Gaia has him castrated by Cronos, and the seed that falls into the waves gives the ocean from which Aphrodite is born. He cites it in a session on Racine2, in a session on amnesia3 and, in 2025, in a reading of a Rimbaud illumination devoted to "our ancient savagery"4. In the session on amnesia, he also dwells on the genealogy of the Muses: united with Zeus, Mnemosyne gives birth to them, and memory thus becomes the mother of the arts of the ear, the musikè5. He places Hesiod in archaic Greece, before classicism, and notes that little is known about this poet. He stresses that Hesiod composed his works to be recited and heard6.
Summary produced automatically from 8 of the passages below, to be reviewed; the numbers link to the moment in the session.
Who is this?
Hesiod ( HEE-see-əd or HEH-see-əd; Ancient Greek: Ἡσίοδος Hēsíodos; fl. c. 700 BC) was an Ancient Greek poet generally thought to have been active between 750 and 650 BC, around the same time as Homer. Several of Hesiod's works have survived in their entirety. Among these are Theogony, which tells the origins of the gods, their lineages, and the events that led to Zeus's rise to power, and Works and Days, a poem that describes the five Ages of Man, offers advice and wisdom, and includes myths such as Pandora's box. […]