Series · 20 May 2022Dominique Pagani - Who is hiding beneath the surfaces? Aesthetics and politics- 1:22:13He painted the Virgin kneeling, the religious and the artistic taken at first degree.
Appears in 7 videos · 8 passages.
Dominique Pagani comes back several times, from 2016 to 2022, to one and the same feature of Fra Angelico: he painted the Virgin and the saints on his knees1. Pagani takes this as the example of an immediate relation to the sacred, specific to the age of faith2. For the painter, the work is not a representation but a presence of the sacred, and devotion comes before art34. Pagani speaks of a painting done "at face value," that of religious substantialism, in which the religious and the artistic are not yet separated56. He contrasts this attitude with the moderns' "museum-like" relation to art7: the modern can no longer paint this way, and this immediate relation has become impossible. In a 2022 session on aesthetics, he also cites Fra Angelico to illustrate the artist's movement of externalization8. These references appear in sessions devoted to Hegel, to the Phenomenology of Spirit and to aesthetics.
Summary produced automatically from 8 of the passages below, to be reviewed; the numbers link to the moment in the session.
Series · 20 May 2022Dominique Pagani - Who is hiding beneath the surfaces? Aesthetics and politics
Season 10 · 10 Feb 2022#9 PICTURES AT AN EXHIBITION: Art, seen from here or from the other side?
Season 8 · 21 Jun 2020#11 • Return to the logics of the subject
Season 7 · 17 May 2020#8 • Harnessed to confinitude
Talks · 2 Jul 2018The Phenomenology of Spirit
Season 4 · 16 May 2018#4.8 Angélique (by Nerval)
Series · 1 Feb 2016Hegel on the Beach 1/5