Talks · 14 Jul 2022From Plato to world revolution, by Dominique Pagani- 12:32The CloudsThe "comedy-maker" among Socrates' accusers; The Clouds assimilates him to the physicists.
Appears in 11 videos · 12 passages, 2 of them in depth.
Dominique Pagani discusses Aristophanes mainly through a formula he borrows from Hegel and repeats from 2016 to 2023: the laughter of his comedies resounds over the ruins of Athens, or of the Greek city12. In his view, Aristophanes closes the Greek aesthetic cycle: comedy comes after the tragic movement and marks its end3. He uses him to illustrate a more general idea, that the comic is the final stage of the great aesthetic cycles4. He speaks sometimes of humour, sometimes of "sneering", to describe the moment when Greek tragedy comes to an end56. In a different context, he cites him among the sources on Socrates: Aristophanes provides the oldest testimony in the Socratic doxography. He also counts him, as the "comedy-maker", among Socrates' accusers, since *The Clouds* equates Socrates with the physicists7.
Summary produced automatically from 12 of the passages below, to be reviewed; the numbers link to the moment in the session.
Talks · 14 Jul 2022From Plato to world revolution, by Dominique Pagani
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Season 10 · 10 Feb 2022#9 PICTURES AT AN EXHIBITION: Art, seen from here or from the other side?
Season 9.2 · 30 Jun 20219 #24 "Ruled like music paper!" • Nerval • Baudelaire • Part 2
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Season 5.2 · 30 Jun 2019#5.8 Nature or Landscape?
Season 5.1 · 6 Dec 2018#5.2 ter FaceBookLive / Questions (2) following Workshop #5.2
Season 3 · 1 Aug 2017#3.2 From Ulysses to Daedalus
Talks · 19 Jun 2016At the bistro with Pagani: part 2
Series · 2 Feb 2016Hegel on the Beach 5/5